11.5.1971 Vienna

The Miles Davis septet’s November 5th performance at the Wiener Konzerthaus marked the midpoint of the band’s 21-date 1971 Newport Festival in Europe tour. As evidenced by a pair of wildly different sets in Switzerland, and a marathon gig in Paris that teetered at the edge of collapse for nearly two hours, Miles’ young working band was the picture of unpredictability throughout the tour.

For all its wild abandon, this was also a lineup that seemed hell bent on absorbing all it could from Miles, either through example or via the bandleader’s typically cryptic instruction. Often Miles’ guidance was so specific that you can almost pinpoint the gig in which it was put into practice, such as this recollection from drummer, Leon “Ndugu” Chancler that was likely bequeathed to him before this Vienna performance.

He (Miles) came to me one night after the concert and said, ‘You know those little phrases you play, don’t finish them.’ That was it. That gave me a whole other approach to fill-ins and polyrhythms.

From Miles Beyond by Paul Tingen
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8.19-21, 1969: Bitches Brew Sessions

Given the rapid evolution of the quintet across the first half of 1969, it’s no surprise that the band we hear on July 27th at Rutgers sounds remarkably different from the one featured on the next available tape, October 26th (upcoming). The change agent being, of course, the three-day sessions at Columbia Studio B on August 19, 20, and 21st that produced the Bitches Brew LP. 

Though the focus of this series is on Miles Davis’ live performances from 69-75, the impact of that session on his live output was so immediate and long-lasting that providing context feels necessary. It’s also just incredible to hear this album being created before our ears. 

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