Live Miles: The 1973 Recordings

Miles Davis reached both a personal and critical nadir in the fall of 1972. Returning to New York following a brief but thrilling tour with a revamped nine-piece ensemble, he totaled his Lamborghini Muira and broke both legs in a gruesome, cocaine-strewn accident on the West Side Highway. The same week, his On the Corner LP was released to near revulsion from the music press. Yet, in the throes of his most fertile creative period since the spring of 1970, Miles refused to end the year a broken man – his studio sessions continued unabated from November into the following spring, often with the bandleader hobbled on crutches.

Miles would also make several changes to his live ensemble across the first half of 1973, including swapping out saxophonists, adding guitarists, ditching the tabla and sitar, and burning through keyboardists before taking over organ duties himself. 

11.21.1973 Bordeaux

From Dave Liebman’s inaugural gig at the former Fillmore East in January and the addition of Lonnie Liston Smith and Pete Cosey to the lineup in the spring through a slimmed-down ultra-psychedelic tour of Japan and finally a marathon euro trip that saw the working group shapeshift its sound night after night, 1973 was as…

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11.19.1973 Rainbow Theatre, London

Miles’ fifth and final London tape of his electric period came just months after a July performance at the same venue, the historic Rainbow Theatre. November of ’73 was a memorable month at the Rainbow, with Pink Floyd laying down a complete performance of Dark Side of the Moon on the 4th, Neil Young and…

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11.17.1973 Rotterdam

Miles’ electric-period performances at Rotterdam’s De Doelen concert hall were regularly among the best shows of the band’s bi-annual Newport Jazz Festival in Europe tour. The November ’69 gig with the Shorter, Corea, Holland and DeJohnette lineup was a magnificent display of telepathy and the final live document of the Lost Quintet, while our tape…

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11.15.1973 Paris

Miles Davis’ final Paris show before his 1975 retirement held much potential. The septet had inexplicably shifted into a new gear in Belgrade the week before that carried over into remarkable shows in Bologna and Barcelona, and performing in Paris never failed to elevate Miles’ game, as evidenced by a phenomenal show the previous July.…

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11.12 + 11.13.1973 Barcelona

Miles Davis’ only recorded stopover in Barcelona did not get off to a promising start. With the band’s gear held up in customs en route from Italy, the septet found the promoter’s replacement instruments unsuitable (Miles reportedly dubbed them “Spanish shit”) and canceled the first of two performances at the lavish Palau de la Musica.…

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11.10.1973 Bologna

After a string of soundboards and broadcast recordings it’s refreshing to be blasted by an audience tape such as this one from Bologna’s cavernous Palazzo dello Sport – a document that drops you into the center of the mayhem to remind us of just how ungodly, overwhelmingly powerful this band was in the fall of…

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11.7.1973 Belgrade

While a wealth of tapes document the Miles Davis septet’s tour of Europe in the fall of ’73, factual record of the band’s itinerary is full of holes. One known gap is the 4-day stretch between a phenomenal set in Vienna and this November 7th performance in Belgrade – a dream double bill alongside the…

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11.3.1973 Vienna

Whether in tribute to the Vienesse Joe Zawinul or simply the musical pedigree of the Austrian capital, Miles’ electric-period performances in Vienna were never less than remarkable. Though his set with the Lost Quintet offered a captivating peek at the psychedelia he’d explore in early 1970, and his 1971 show was a 100+ minute heavy…

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11.2.1973 Ludwigshafen

With many stops on the 1973 Newport Jazz Festival in Europe so lavishly documented in broadcast fidelity and full-color film, shows like the septet’s November 2nd stop in Ludwigshafen are a relative anomaly: no photos have surfaced, no video circulates, and a cavernous audience tape is our only evidence. Thankfully, our taper is a good…

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11.1.1973 Berlin

The site of stunning electric gigs in 1969 and 1971, Miles returned to the Berlin Philharmonie for a pair of shows on the first of November, 1973. Recorded for radio and television by West Berlin public broadcaster, Sender Freies Berlin, the evening’s first show was released in full on the 2015 set, Miles Davis at…

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10.29.1973 Copenhagen

Two days removed from a remarkable TV broadcast from Stockholm, Miles returned to the Tivoli Concert Hall in Copenhagen for his final concert from the stage on which he’d performed many times since his 1960 tour with his first great quintet. While his 1969 gig with the Lost Quintet was documented in stunning full color…

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10.27.1973 Stockholm

Much like his performances Paris and Berlin, Miles’ concerts in Stockholm were frequently documented by state-run media. While many of those European shows have been released in various iterations of the Bootleg Series, this exceptionally filmed set from Sweden’s capital city remains officially unofficial. Its grey market status aside, the film is a revelation -…

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10.24.1973 Malmö

Just as they had in 1969 and 1971, the Miles Davis live ensemble spent the fall of 1973 on an extensive “Newport Jazz Festival in Europe” all-star tour presented by impresario George Wein. Unlike that 1971 tour in which he set out on the five-week trip with an under-rehearsed teenage Ndugu Chancler behind the kit…

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10.17.1973 Paul’s Mall

Following a summer tour of Japan and Europe and a couple of studio sessions that would later be collected on the Complete on the Corner Sessions box, the Miles Davis septet returned to Paul’s Mall in Boston a remarkably different band than the one that performed at the venue just over a year previous. Where…

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7.20.1973 Juan-les-Pins

Miles was no stranger to the Antibes Jazz Festival. Having performed three nights of sets in 1963, the second of which was released as the Miles Davis in Europe LP (nights one and three remain unissued), Miles returned to the fest in 1969 just days before the release of In A Silent Way, and weeks…

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7.17.1973 Verona

On the heels of a performance in Pescara that saw the band take avant funk into some truly uncharted turf, the Miles Davis septet rolled into Verona for another open-air show at an ancient Roman theater on the bank of the Adige. Though outdoor sets were surely a welcome break from the arenas and staid…

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7.16.1973 Pescara

The back stretch of the Miles Davis septet’s Japan > Euro summer tour brought them to the Adriatic coastal town of Pescara for an outdoor festival at the Parco delle Naiadi. Five days removed from a technically challenging but fascinating gig in Paris, the band followed a Keith Jarrett solo set with a truly Jekyll…

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7.11.1973 Paris

From the site of his 1949 love affair with Juliette Gréco to his legendary soundtrack session for Louis Malle’s “Elevator to the Gallows”, a fractious date with Coltrane in the Spring of ’61 and into a killer string of electric dates, Paris provided Miles with a well of inspiration rivaled only by New York City.…

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7.10.73 Rainbow Theatre, London

Miles made two visits to London’s Rainbow Theater in the latter half of 1973, both of which were documented by the band themselves using an on-stage tape recorder. Likely intended for more of a post-show critique session than any sort of official release, the tapes offer a distinctly different listening experience than our typical audience…

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7.8.1973 Montreux

Propelled by a Japanese tour that saw the band more focused and exploratory than ever, the Miles Davis septet made a memorable stopover in Lebanon before storming Europe for two weeks of festivals. The brief tour resulted in no less than six tapes of varying quality, the first and highest-fidelity of which is this two-set…

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