10.15 – 10.18.1970 Fillmore West

The Miles Davis septet returned to Bill Graham’s Fillmore West in October 1970 a dramatically different band than the one that shared a 4-night stand with the Grateful Dead earlier in the year. Gone was the effects-laden headiness, unpredictability, and unrelenting intensity that defined those April shows, replaced here by four identical sets built around dense, repetitive grooves. The resulting performances were likely a bit easier for the Fillmore audience to digest, and judging from their reaction on the tapes, the crowd certainly dug it.

In a typically eccentric Fillmore pairing, the septet shared the bill with Leon Russell, with support from Seatrain and Hammer. Not exactly the time traveler destination of a Miles Davis/Grateful Dead matchup, but a marked improvement from opening for Steve Miller. Curiously, there are no known photos from the October 15-18 shows, and tapes from only three of the four nights are in circulation – none of them complete. The fidelity of the October 15th tape suggests the shows were professionally taped, so a future Bootleg Series release may not be out of the question.

Continue reading “10.15 – 10.18.1970 Fillmore West”

10.1970 The Tonight Show

Much like the band’s blistering appearance on the Dick Cavett show a few months prior, the exact recording date of this NBC Tonight Show performance is unknown. Given the septet performed at UCLA on October 10th, it’s safe to assume they recorded this appearance around that date; it officially aired on October 30th.

And like that appearance on the Cavett show, Miles’ intent seemed to confound the American television viewing public. Following an enthusiastic intro from guest host Bill Cosby, in which he fawns over Bitches Brew and promotes the then soon-to-be-released Miles Davis at Fillmore, the septet throws down a bizarre 8 1/2-minute medley of “Directions” > “Honky Tonk” (a pair of tunes that would remain unreleased until 1981 and 1974 respectively).

Continue reading “10.1970 The Tonight Show”

8.19-21, 1969: Bitches Brew Sessions

Given the rapid evolution of the quintet across the first half of 1969, it’s no surprise that the band we hear on July 27th at Rutgers sounds remarkably different from the one featured on the next available tape, October 26th (upcoming). The change agent being, of course, the three-day sessions at Columbia Studio B on August 19, 20, and 21st that produced the Bitches Brew LP. 

Though the focus of this series is on Miles Davis’ live performances from 69-75, the impact of that session on his live output was so immediate and long-lasting that providing context feels necessary. It’s also just incredible to hear this album being created before our ears. 

Continue reading “8.19-21, 1969: Bitches Brew Sessions”