Fresh off a week’s worth of warm-up shows in California, the Miles Davis septet landed in Tokyo for a three-week tour of Japan – Miles’ final overseas performances until the 1980s. The band’s last visit to Japan in June of ’73 marked a turning point for what was then a fairly new ensemble of musicians, including the debut of setlist staples, as well as the first appearance of Miles on organ and Mtume on the primitive Yamaha EM-90 drum machine – essential components of the band’s sound that would be warped beyond recognition by the time the septet returned to the island in January of ’75.
Rather than coast on the momentum of their excellent warm-up gigs at Keystone Korner and the Troubadour, the septet seems hell-bent on rebirth upon arrival in Tokyo. With both nights captured largely in full, the tapes reveal a quartet of sprawling, lurching, often messy sets in which the band favors heady abstraction over funk, often pushing both the music and the audience’s endurance to their breaking point. As the February 1st date that produced Agharta and Pangea looms on the horizon, hearing the septet begin to fully integrate the more experimental, sinister elements that would define those LPs makes these Tokyo tapes a thrilling listening experience.Continue reading “1.22 + 1.23.1975 Tokyo”