With 11 shows under its belt, the Miles Davis septet capped its final overseas journey with a trio of shows at Tokyo’s Koseinenkinkaikan Hall – the same venue where its tour of Japan began two weeks earlier. Though the tour’s justifiably remembered for the performances from Osaka that produced the Agharta and Pangaea live LPs, the rapid evolution of the band and the drastically different performances documented across this brief run of shows are equally stunning.
Whereas the septet went all-in on dark, heady abstraction in the tour’s opening nights in Tokyo, by the time it reached Kokura a week later its sets were tight, deeply funky, and outright jubilant. A few days on in Osaka, the band was simply untouchable in its technical prowess, performing as if guided by an invisible hand to produce a quartet of sets that remain futuristic nearly five decades after their final notes faded.
Back in Tokyo for the tour’s finale, the band is new again – radically reshaping familiar material with confidence and swagger, unafraid to truncate epics like “Ife” or “Zimbabwe” down to their essence, or playfully stretch tunes like “Maiysha” to 30 minutes and beyond with long passages of experimentation. A thrilling listen from start to finish, these final dispatches from Tokyo encapsulate everything that made this Japanese tour so exceptional.Continue reading “2.7 + 2.8.1975 Tokyo”